Just remember. “All it takes is one bad day…” DC Comics
A celebrated, yet often divisive and debated entry in the Batman library, The Killing Joke is dear to a many a Bat fan’s heart. While there’s room to ague the comic’s rank and merits, there is no denying Alan Moore’s brainchild is one of the darkest, most sadistic Joker stories ever put to paper.
In The Killing Joke, the Joker went over the edge —even by Joker standards. He no longer behaves like a lunatic buffoon, the man who laugh is out to prove a point: all is takes is one bad day to reach insanity. The story represents a case in character study, examines the morbid aspects of human nature and what drives a sociopath from a comic book’s point of view—essentially its a deliciously macabre Joker origin story.
I love that DC didn’t change the main story and formula too much. The Killing Joke is already a memorable chapter for Batman and the Joker, it didn’t need to be tinkered with or alternated in any shape or form. The animated film adaptation did quite well in regards to staying on par with the comic.
The main gripe I have with The Killing Joke is with its first 30 minutes where material that wasn’t in the book was added. Sure it’s related to the story and they did their best to tie it in but the storyline they tried to develop for Barbara Gordon/Batgirl simply didn’t work as well as DC might have anticipated.
Barbara/Batgirl is a pivotal character in The Killing Joke, therefore it is understandable that DC wanted to give its audience a semblance of insight as to her personality. I’ll give the writers credit for trying to add to Batgirl’s story, but rather than attain its desired effect it feels like it was merely pasted onto the original story to stretch out the film. The further dialogue and backstories really didn’t end up adding anything crucial. Although I won’t go into details, Batgirl’s relationship with Batman in the film was in particularly poor taste and very much unlike the character fans have known.
I was happy to see a few of my favourite lines from the comic were left intact as there are many memorable quotes. As a fan, hearing the words I’ve read so many times over being brought to life by Mark Hamill was fantastic. At The Killing Joke‘s apex, the satisfying confrontation and word exchange between Batman and the Joker kept the same spirit as its source. The dialogue isn’t always on point however. One “joke” in particular is in bad taste. A criminal receiving a beating courtesy of Batgirl looks at her and says, “Must be that time of the month”. Bad. Cringe-worthy.
Speaking of Mark Hamill, his voice acting is possibly the best aspects of The Killing Joke. Hamill as made left his mark on the comic book genre with his work as the Joker in Batman: The Animated Series and various Batman video games.
The animated film doesn’t quite match the intensity or pace of the comic largely due to its first part. They managed to get some of the art direction right yet the tone of the story isn’t as dark and perverse, but it tries. The Killing Joke falls short in its attempt to prolong the story, but it is a very faithful adaptation of its comic counterpart.
At an hour and sixteen minutes (including credits) it is by no means a long Batman film, however it feels longer due to added Batgirl backstory which decidedly does not work in its favour. Do yourself a favour and skip the first half-hour of movie, you won’t regret it. 3 stars.